Tone B. Nimble

June 29th, 2009
Tone B. Nimble

Tony Fields aka Tone B. Nimble is a DJ/producer/party promoter who has helped play an intricate role in the development of the famed All Natural label (he’s also one half of the group that goes by the same name). He started DJing in 1985 while attending Homewood-Flossmoor High, and it was there that he met Cap D and fostered the unmistakable All Nat sound. Throughout the years, the label has released some of the most exciting local hip-hop albums, including the classics No Additives No Preservatives, Second Nature and Deep Rooted. Recently Tone has been busy promoting two new projects - Da Mornin’ Afta by Primeridian and Music for A Saturday Evening by the Black Stone Theatre Collective, both of which are attempts to branch out toward a wider listening audience. With three more projects slated for 2009, it appears that All Natural is looking to make this its big year. Centerstage caught up with label head Tone B. Nimble to get the skinny on what fans can expect in the coming months, and to get a rundown of his top five favorite albums.

I was wondering if you could tell me about when you first got interested in DJing.
I started DJing in ‘85 with Cap D. We were basically playing electro, early house, and a little hip-hop. He got into production and rhyming, and I stayed with DJing.

Did you have any mentors along the way or did you just hit the ground running?
I basically learned on my own by watching DJs at parties and listening to the radio, specifically Hot Mix 5 (Farley “Funkin” Keith aka Farley “Jackmaster” Funk, Mickey “Mixin” Oliver, Scott “Smokin” Silz, Ralphi Rosario and Kenny “Jammin” Jason, who were resident DJs of the defunct WBMX ‘Saturday Night Live Ain’t No Jive’ show).

Being a veteran of the local DJ scene, how have you seen things evolve over the years?
There used to be a lot more room for creativity and self-expression. People used to rely on the DJ to introduce new music. Now the audience basically dictates what the DJ plays.

When did you first link up with Cap D, and what was the idea going into the development of the All Natural label?
The label was Cap’s idea, I was just assisting him, but over time I took over the label responsibilities. The basic concept was to release our own recordings and [those of] other like-minded artists.

What are some of the obstacles you’ve had to overcome as an independent rap label? Has the city been supportive of All Natural’s voice?
There are too many obstacles to name, but I think technology is at the top of the list; file sharing, iPods, anyone with a computer can basically record an album. The city has been pretty supportive, but industry has changed and we need to make changes to reach our old fans as well as new younger fans.

What’s the status of your relationship with acts like The Pacifics, Daily Planet and Eulorhythmics?
The Pacifics and Daily Planet are both inactive right now. Eulorhythmics will release an album later this year.

Any new projects coming up?
We are moving away from just hip-hop; we released our first album outside the hip-hop genre last November by the BSTC entitled Music For A Saturday Evening
. Cap also has two projects in the works: Black Mecca, a hip-hop album, and The Stranger, a new-wave project he’s been working on. Our next release will be Rita J’s Artist Workshop.

Can you give me a rundown of your top five albums?
First I should state that this an impossible question to answer, but here are some of my favorites:

A Tribe Called Quest, Midnight Marauders (Jive) 1993
Raekwon, Only Built 4 Cuban Linx (Loud) 1995
Stevie Wonder, Songs In the Key Of Life (Motown) 1976
Calender, It’s a Monster (Pi Kappa Records) 1976
Jamiroquai, Traveling Without Moving (Sony) 1996
Numerous Fela Kuti recordings

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Ibiza 2009 (June ‘09)

June 18th, 2009

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The opening parties are almost over and the season is just kicking off. All the party people will be heading to the mecca of clubbing in coming months. IBIZA CALLING? (Some of you couldn’t wait and have been already, Jamie, Steve and the gang… you know who you are!!!)

So whether you’re heading to the balearics this summer or just pottering about in your own back yard, this mix should keep you going through the hot days and warm nights. (Of course I’m not forgetting those down-under who have a few months to go before they can call it summer, this mix is especially for you, a little taste of Ibiza on your iPod to get you through the winter months).

Tracklisting:
1) Better Life - DJ Neo ft Jocelyn Brown (Tikaro, J Louis & Ferran Remix)
2) Feel Free - Big World and Denis the Menace ft Pheobe Hall (Dario Dattis Vocal Mix)
3) Supernova - The Free Radicals (Javi Reina Rock Star
4) Heaven Again feat Giovanna - Velarde & Luque
5) Love Will Set You Free - Starchaser
6) Time - Jonathan Ulysses & Peter Brown
7) Green Leaf - Dinka (Extended Vocal Mix)
8) Feeling Emotions - Carles Baker (Velarde & Luque Remix)
9) Feel The Beat and Dance - DJ Antoine (Chris Ortega & Thomas Gold)
10) Open Up Your Heart - Andrea Carnell (Danny Verde Remix)
11) C’est La Revolution - DJ Antoine (Houseshaker Remix)
12) In The Moment - Haji & Emanuel (Hagenaar & Albrecht Remix)

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The Gent$

June 1st, 2009
The Gent$

In a time when hip-hop collaborations can get a bit stale, it’s hard to find a group as freshly innovative as The Gent$, which consists of Pugs Atomz, Wes Restless, Ill Legit and DJ ALO.

Pugs and Ill Legit handle most of the lyrics, which allows Wes Restless to open up as a formidable vocalist; this gives the group a multitude of styles to build from. The trio has worked alongside producers The Opus and Maker (as well as getting contributions from Ill Legit, Limitless, V Traxx and Dario) to create a sound that is on point with what Pugs describes as “the struggle to become something better; a gentleman.” It isn’t a shock to know that the group’s debut amassed 10,000 downloads, and the near future looks even brighter as The Gent$ are featured guests on DJ Vadim’s newest album, U Can’t Lurn Imaginashun, released by BBE Records.

Centerstage found the rhythms of The Gent$ too good to resist, and sat down with them to talk about everything from the serendipitous nature of their work to how the Sybaris makes for a wonderful place to shoot a video.

You all have pretty illustrious solo careers. What sparked the collaboration?
Ill Legit: Well as far back as I could remember I always wanted to be a gent [laughs]! Nah, but seriously, I met Pugs when I moved to Chicago and knew he was dope. Me and Wes met a couple years later when I booked his group Dynamic Vibrations to perform, and after the show he asked me to come through and make a track the next day. Fast forward a year or so later, Pugs said all three of us should start a group. The rest is history.

Wes: We were all making moves individually, but in the process, we were collaborating with a lot of other artists within the scene. We had all made songs together and they tended to take on the smooth, sophisticated vibe. One day Pugs said “Let’s put this together and get it out there.” We’ll call it The Gent$ .” And it just fit.

Tell me a little bit about the album. Were Maker and The Opus your first choices as producers?
P: The Opus reached out to Roche in Oakland to remix “Only When I Dream” from his Solos records compilation, and they hit us with the remix and from there we were like, let’s work together. We actually just completed a great song for their next album. We reached out to Maker when a beat we used was no longer available and Maker gave us a great dub remix, and that started the relationship.

W: The album came together very naturally. When we were working on it we never really had to think too deeply about our direction because we were already on the same page. As far as production, we linked up with Maker and The Opus kind of by chance. We’d worked with them before but for this project they ended up doing remixes that really did justice to the songs. We didn’t even know The Opus was doing the remix until it was done and being played [by The Opus] in the Pritzker Pavilion in Millennium Park. I also did production on several songs, as well as Illy, Limitless, V Traxx, Dario, and DJ ALO and others.

I: Maker and Opus just happened to fall into place. Actually we individually brought beats to the table and pretty much executive produced the album as a group. Maker hooked up a remix and Opus had remixed a song for Wes and Pugs.

Stylistically there are a lot of influences streaming through your music. How do the Gent$ map things out when ready to make music?
I: We stay on a consistent schedule of meeting every week. We sit down and play music for each other and find inspiration. We all pretty much have excellent taste and that makes choosing what we work on easy.

P: We just try to attack subjects as a gentleman would and pick beats that are a backdrop to a gentleman’s point of view.

Collectively, what are some things about Chicago that inspire you?
P: The style and architecture of Chicago, the Magnificent Mile and the Playboy office.

W: I think just the culture and style that is abundant in the world-class city of Chicago. The architecture, the sophistication and the composure that Chicagoans have. It’s as if we’ve all been around the block and carry ourselves with dignity and class.

I: Well hate is easy to come by in Chicago and just about anywhere on the earth, but finding love in this city is what motivates us I think. We make music we love and we want our city to love it as well. On top of that we make classics.

You made your debut album available for free download. Do you see this turning into a norm in hip-hop? If so, how do you think it’ll change things?
P: Well I think it’s now going to really go back to performing and content, video, lifestyle, etc?

W: The way things are going, the physical product now is really just a calling card. However, we are concentrating our efforts on some very solid product that, in my opinion, will sell itself. We are not the types to push our product on the people…the ones who appreciate our music will do what they can to support.

I: I think it’s just becoming the norm for independent artists, period. We aren’t concerned with album sales at the moment because that’s not how we define ourselves. We define ourselves through the music and that’s what matters. And that can’t be done unless it’s heard. Therefore, we gave it out.

You also have some work on Vadim’s new project. How did that come about?
P: I went on tour with him in 2007 and we started to record and send songs back and forth. He picked two songs for his new album on BBE, “Saturday” and “Always Lady” featuring Wes, but one day he sent me this beat in the email and it had Gent$ all over it.

I: All I know is the Vadim joint we just did, “League of Extraordinary Gentlemen,” is absolutely bananas.

Could you please break down the premise of your video shoot at the Sybaris?
Adam Leaders(manager): I’ll take this one? For those who don?t know, the Sybaris is a “romantic getaway” resort. Due to legality issues, all we can say is it involved hours of reconnaissance, models, camera crew, more models, lights, bubbles, a utility van and 100 bottles of Champagne. We were like the A-Team sneaking into that place. Once we were in, we transformed it into THE GENT$ mansion ? water slide, steam room, vibrating chairs and all. Big thanks to Noah Banks, Vimby, Awdazcate, Allison Glenn and everyone who helped make it happen. Just wait till you see it…

New projects for this year?

P: Pugs Atomz Roof Top LP June 16 on So Flo Recordings feat. Sadat X, Naledge, DJ Vadim etc…

W: I’ll be releasing a solo EP called Draggin’ Music as well as a plethora of other collaborative efforts with other artists that I admire. The Gent$ are hard at work on a new record with production from DJ Vadim, Wes, Illy and more. Also be on the lookout for our ongoing video series. This will be our true launch to the world.

I: I’m extremely proud of my new video “Too Familiar,” featuring Wes Restless, directed by Nick Castle. You can google it and fall in love all over again. Working on a solo album entitled The Addiction and constantly working on new Gent$ material. Stay tuned…

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Circuit (May 2009)

May 23rd, 2009

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You might have seen me earlier this month playing the amazing London Hustlaball, and what a party it was! Check out the Hustlaball website for pictures and video’s of this amazing circuit party event. And check out Disco Matt’s blog for his review of London’s best and biggest sleaze-fest.

Also check me out later this month at Tonker

So….has summer officially started yet? It’s a holiday weekend here in London and the sun is shining, and as the circuit party season is hotting up, here is the latest mix to keep you moving!

Tracklisting:

1) Today Is My Day - Tikaro, J Louis & Ferran ft Clarence
2) Don’t Let This Moment End - Carlos Gallardo ft Rebeka Brown
3) Wait 4 U - Lenny Fontana (Voodoo Serano Club Mix)
4) Feeling Love - Nuvex feat Shanti Young
5) Serious Emotions feat Giovanni - Velarde Luque, Vitti (Vocal Mix)
6) Metro - Jaytech
7) No Stress - Laurent Wolf (Anton Wick Remix)
8) Canonball - Dinka (Claes Rosen Remix)
9) Rain Rising You Up - Jaunjo Martin & Javi Reina Feat Rebeka Brown
10) Feel The Beat - Alexander Dennon (Aitor Galan Remix)
11) Cyan - Arno Cost
12) Givin’ The World to You - Josh Jackson (Thomas Gold Remix)

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Best Beats 5/21/09

May 21st, 2009

One Night Love Affair
Thursday, May 21 at Danny’s, 10 p.m.; Free
Lono Brazil’s Disco Unusual Social Club party can no longer be contained to a once-a-month happening at Danny’s, so he’s spread his glam-dance disco sounds across town, including recent stints at Simone’s Bar in Pilsen and a few appearances at Sonotheque. But tonight he’s back at Danny’s, bringing the sexy, tasteful disco grooves and getting the holiday weekend started early.

Peaches

Peaches
Friday, May 22 at Metro/Smartbar, 8 p.m.; $20
Peaches, the queen of the dirty electro dance scene, and mastermind behind some of the raunchiest polysexual lyrics in modern dance music, plays a live set at Metro to promote her latest album, I Feel Cream. It’s been awhile since she’s released an album, but Peaches has been keeping herself busy, touring with her band, Peaches & the Herm (JD Samson of Le Tigre is a member). We can’t wait to hear what she’s been saving for this release, and we’re sure the after-party at SmartBar, where she’ll be laying down a DJ set, will be just as wild. Johnny Love of LA’s Guns ‘n’ Bombs also DJs tonight.

The Prodigy
Saturday, May 23 at Congress Theater, 7 p.m.; $35

A few years ago, when British electronica and rave culture was just making its way to America, it didn’t get much bigger than The Prodigy. The group behind hits such as “Firestarter” and “Smack My Bitch Up” and album-loads of klaxon-heavy, high-energy dance music paved the way for the Chemical Brothers and shows like MTV’s “Amp. Canada’s Tiga co-headlines and locals Brad Owen, Dark Wave Disco, DJ Intel and Derek Specs round out the lineup.

Mike Simonetti
Sunday, May 24 at Smartbar, 10 p.m.; $10
Most of us don’t have to work tomorrow, so there are plenty of parties to choose from tonight. But if you’re looking to hear damn good dance music on one of the few Sundays you stay up past midnight, head to Smartbar, where long-time New York DJ and co-founder of Italians Do it Better (the home to hot act Glass Candy), Mike Simonetti, headlines. Jerome Derradji and Kool Hersh also spin.

Check out Centerstage Chicago food and drink deals!

Innosphere

May 18th, 2009
Innosphere

Innosphere is a collaborative project between legendary producer Kenny Keys and soul songstress Nina Rae. Keys and Rae initially met while working together in a local hip-hop band (Just Infinite), and they were instantly able to establish creative ground. The chemistry, too magnetic to ignore, quickly led to a series of projects including what would be the duo’s eventual debut single, “Me & You.”

The combination of Kenny’s instrumentation and Nina’s vocals makes for the finest cosmic soul that hip-hop has heard in years, matching predecessors like Erykah Badu and Georgia Anne Muldrow. The duo plans on releasing a seven-song, self-titled EP under the TruSoul Entertainment imprint, and if the single is any indication of things to come, Chicago should be very excited. Centerstage sat down with Keys and Rae to hear how it all came together and what the immediate future holds in store.

Innosphere is an interesting name, what’s the significance?

Kenny: The meaning of the name is defined exactly how it’s spelled: in-no-sphere. We don’t place our music into any particular genre. We will venture into any territory that the music takes us. So, the name represents that ideal: no boundaries, no restraints, no fear, and 100-percent real.

When you go into a song do you have clear intentions or are you on the organic side of things?
K: We talk about stuff, just kick it together, listen to music, beats, just pass ideas back and forth. Then, we get inspired and we work. Sometimes it starts lyrically, sometimes with beats, sometimes from the root up.

Kenny, this project seems to be taking you a bit outside the realm of straightahead hip-hop. Is this marking a new creative movement for you?

K: Nah. This album is not really taking me out of the hip-hop aesthetic. I’m still on the beats; it’s just letting me show a little versatility. Like when we did some cuts, it was off beat CDs-hip hop cuts for my fellas to check out. This is one of the most simplistic, beautiful albums I have ever produced. It’s a whole new place that I’ve flirted with, but never fully went there before.

Nina, can you tell me about your background as an artist?

Nina: I’m a writer first. My writing pursuits took me to Gallery 37 as a teen, writing for the New Expression teen newspaper, which was distributed throughout Chicagoland. I began singing in a trio as a teenager after being selected as a vocalist with the Chicago all-city chorus. I went on to perform with various girl groups and perfecting my craft as a writer. I started to infuse my poetry writings into my music and my singing style. I eventually became a member of Just Infinite, where I would eventually meet Kenny. Aside from this musical project, I am also working on a book of short stories.

Tell me a bit about the EP.

N: It’s a very real EP. It’s a journey through happiness and sadness, but centered around curiosity. Every song has a sense of exploration. It’s a relatable piece of work that touches on the human experience, moral issues, being true to one’s self, dimensions of love, urban street life, family and intimacy.

Are you going to have a tour for the album?

K: We are currently working on show dates. Who’s booking? Listen to us at sonicbids.com/innosphere and check us out.

When can we expect the full length and what other projects do you have in store for 2009?
K: Look out for the full length Innosphere album this fall. I’m going to be dropping an instrumental album this summer, and working on a project with another dynamic Chicago producer, Tall Black Guy. Look for some music from the producing duo, Black Keys (Tall Black Guy & Kenny keys) later this year. Nina Rae will be a huge part of that as well.

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Best Beats 5/12/09

May 12th, 2009
Prince Paul

Prince Paul
Friday, May 15 at Zentra, 9 p.m.; Free before 11 with RSVP to rsvp@hiphop2000.com, $5 before midnight and $10 after
Hip-hop and club fans have been buzzing about this event for a few weeks. Legendary producer Prince Paul, the man behind De La Soul’s 3 Feet High and Rising and a member of hip-hop act Handsome Boy Modeling School with Dan the Automator (he also co-hosted VH1’s “The Next White Rapper”) comes to Zentra tonight for a special DJ set. DJ Intel also spins and celebrates his birthday.

Jackson
Friday, May 15 at Sonotheque, 9 p.m.; $10 with RSVP to Going.com or $12
Meiotic’s monthly party at Sonotheque hosts a special disco edition with guest DJ/Producer Morgan Geist; Disco Unusual Social Club’s Lono Brazil and local nu-disco rising star Samone SR71 Roberts.

Dirty Funk Fridays
Friday, May 15 at Town Hall Pub, 9 p.m.; Free
What Town Hall Pub lacks in glitz and glamour (and trust us, it has none), it makes up for with solid DJs and cheap drinks. Every third Friday, DJ RC, Ryan Gac and Nick Ten Eyck spin funk, soul, latin jazz and hip-hop at the dirtiest dive bar in Boystown as the Funk and Soul Revue.

The Boom Box
Saturday, May 16 at Sonotheque, 9 p.m.; $5 before midnight, $10 after
With respected labels Meiotic and Kompute taking over the programming Friday and Saturday night, Sonotheque is the place to be this weekend. Tonight, Kompute brings in groundbreaking house DJ Scott “Smokin” Silz from the legendary V103 Hot Mix 5 DJs. Silz has influenced dance-music acts all across the globe, including Daft Punk. He’s currently working on new projects for Kompute while also holding down a job as Clear Channel’s director of production and imaging for two of Chicago’s top radio stations. He’s joined by Rayalin3 and an assortment of Kompute DJs for an old-school-meets-new dance party like no other.

The Glamorous Life
Saturday, May 16 at Crocodile, 10 p.m.; Free
We know you’ve been splurging on weeknight al fresco dining, new summer gear and pedicures, so give your wallet a break and hit up the popular Glamorous Life ’90s party at Crocodile. Tonight, Trew, Pickel and Maker spin all your favorite dance hits from the ’90s (think New Jack Swing, Kid ‘n’ Play and Janet Jackson) and with every $5 you spend on beer you get a free mini margherita pizza.

Check out Centerstage Chicago food and drink deals!

Best Beats 5/4/09

May 6th, 2009
Glass Candy

Glass Candy
Thursday, May 7 at darkroom, 9 p.m.; $10 before 11 p.m. with RSVP to rsvp@outoforderchicago.com
If Blondie made sexy, smart, modern dance music, you’d have Glass Candy, this month’s guest for Out of Order Chicago. Featuring soft, sexy female vocals (see “Beatific” and the remake of Kraftwerk’s “Computer Love”) over energized, layered beats, their songs are as suitable for the morning commute and gym as they are for the club. We couldn’t be more excited for this live performance. DJs Total M, Trancid and Intel spin.

Trevor Loveys
Friday, May 8 at Smartbar, 10 p.m.; $10 or free before 11 p.m.
UK-based house and fidget DJ Trevor Loveys makes his first Chicago appearance tonight at Smartbar. Loveys is poised to take over club dance floors this summer with his choppy and bouncy signature sound. Switch fans won’t be disappointed. The Darkwave Disco DJs and DJ Toymaster also spin.

PartyTime
Saturday, May 9 at Sonotheque, 9 p.m.; $5
Prescription for an affordable Saturday night: beers, deep house and rare disco provided by Joe Bryl and Josh Deep at Sonotheque. ‘Nuff said.

Crème de la Crème
Saturday, May 9 at Lava Lounge, 10 p.m.; $5 after 11 p.m.
Lava’s weekly hip-hop party is back, but this time, Metrognome, Rude1, Word and Izzo take over as musical selectors. RSVP to Chicago@dudfrequency.com for discounted admission.

Check out Centerstage Chicago food and drink deals!

Spq-Her

May 4th, 2009
SPQ-Her

Born out of the rich musical backdrop known as Chicago’s South Side, Spq-Her (pronounced Speak Her) has emerged as a powerful voice in Chicago hip-hop. Consisting of WiZdom and Stephstaa, Spq-Her has fused together R&B, soul, jazz, funk and hip-hop into a melting pot of rhythms worthy of the golden-era comparisons. But for as much as the duo have extracted from past inspirations, the two soul divas have made a name for themselves by seamlessly navigating the progressive movement of the local underground hip-hop scene.

Spq-Her’s debut album, Defenderz, is a cosmic journey through self-expression, narrated with an elevated lyrical consciousness reminiscent of Erykah Badu and Lauryn Hill. The album’s lyrical content is matched equally by local beat aficionados Fifth Element, Rashid Hadee, Raw Power, Frankie Blaze and Kenny Keys-making the journey abstract in sound but organic in nature. Last year their hard work paid off as they won the BomBay Sapphire Soul Search sponsored by 106.3 FM, and most recently URB recognized them as emerging artists in its “Next 1000″ list. 2009 looks to be even more productive as they plan on touring to support their new album, which they describe as a “Bruce Leroy Green and Sho’nuff fight.”
Centerstage caught up with WiZdom and Stephstaa to talk about the new album, and how life brought them to this point.

Where were you ladies born, and how did your community contribute to your musical tastes?
WiZdom: I was born and raised on Chicago’s South Side. It’s interesting, when we travel people always make assumptions about the South Side; they are connecting with something they saw on TV or heard on the news. My family was a musical family and my cousins and I would prepare routines to perform at granny’s house because we knew someone would get on the piano or start singing, especially after sharing the endless stories of previous holidays. That family community contributes to my musical taste because my family embraced talent and provided a space for my first sold-out concert.

StephStaa: Born and raised on the South Side of Chicago as well. Being born without a silver spoon in mouth made me walk through life with so much appreciation. The community I was raised in didn’t have much; as a child I lived in a large apartment complex called Gemino Milgate. And we had block parties during every summer; I performed one year at the age of 8 or 9 and I remember saying to myself, “I’m gonna be a big star one day”. I have been on that power kick ever since. My mother played soulful music all the time. When I used to go outside and play, kids would be breakdancing/pop-locking and I would mimic a Lisa Lisa Cult Jam song! Music is my life!

What’s your musical background, as far as formal training goes?
WiZdom: Not to be stereotypical, but my first training was in the church. The man that forced me to own my soprano voice was Mr. Brian Johnson. However, it wasn’t until I went to college that I had an opportunity to work with some phenomenal artists. During this time, the most impactful experience was singing in a choir for BeBe Winans in Atlanta under the direction of Gary Hines (Sounds of Blackness). More recently, when Spq-Her won the Soul Searching Contest, we had the opportunity to work with the world-renowned Lyndia Johnson, Vocal Coach and CEO of Sterling Voice Coaching.

StephStaa: I never had training. My sister Rena had a radio with a tape deck and she would record songs from the radio. We would all play around with the radio and discovered we could record our voices, so I would record me singing a song off the radio. My siblings told me I sounded like people on the radio. After that I kept practicing without the radio and singing in my apartment hallway to test my range with an echo effect. Like WiZdom mentioned, we won Soul 106.3 FM’s contest October 2008, one of our prizes was vocal lessons with Lyndia Johnson, who I highly recommend to any vocalist. Knowledge is power indeed!

When and how did you meet?
WiZdom: We met numerous times in our past, but we didn’t officially become friends until December ‘04. We were at the Hothouse and connected via artistry and mutual friends. It’s been friendship, godmotherhood, and business ever since.

StephStaa: Yeah, The Most High has been trying to cross our paths for a while! It all came full circle 12.31.2004! We been planning the “take over” ever since! And what is so dope and different about us is that we’re best friends!

So was Sqp-Her an official name right off the bat or did you ladies go through an evolution to get to where you’re at now?
WiZdom: Of course we did! We have truly experienced a beautiful struggle. I can remember when we first started to work together and we were writing like our lives depended on it. Sunil Honeycutt believed in us so much that he invested in our limitless recordings at so and so’s studio. We would record to wee hours in the morning only to turn around and perform in back-to-back shows. We are grateful for those experiences, but we knew that we needed to experience more. Then we got addicted to the MySpace hype and opportunities started flying in from Canada, London, Brazil, Los Angeles, New York and Atlanta. We learned that if we invested in ourselves, folks would appreciate our hustle and listen to our music and connect with it.

StephStaa: We use to come up with all kinds of names for ourselves before Spq-Her, because as soon as we started sistership, we started doing shows. Keep in mind we were both active on the solo tip, so shows would pop up and we would support each other; people adored us and wanted to know our name. WiZdom discovered Sqp-Her; it became permanent like naming a baby!

Tell me a little bit about the album. I know you worked with an amazing cast of producers.
WiZdom: Yes, yes y’all and it don’t stop, Spq-Her will never ever stop. Our album is hip-hop soul. Now, don’t get it twisted…when we say hip-hop, we mean the true culture and the elements of hip-hop. I actually was hazed into hip-hop by my partner in grind, Stephstaa and the Alien8ighted Crew, and I loved the drums and samples from songs that I was raised on. We worked with Kenny Keys, Fifth Element, Rashid Hadee, Raw Power, and Frankie Blaze. Recording this album felt like a little girl learning how to jump double dutch. Trying to get into the rope and making all types of moves once we got in and doing things differently to our own rhythm.

StephStaa: Indeed, the producers WiZdom mentioned are super hot and so underrated. We bring soulful/hip-hop flavor but our style is limitless! I love it when we vibe with live instrumentation! Expect to hear various sound and melodies from SPQ-Her!

Your music has so much Chicago Soul to it. What are some things about Chicago that inspire you? And I’m not necessarily talking about positive things either.
WiZdom: Our love for Chicago is unconditional. It can hurt you, love you, and forget about you…but you still love it no matter what. Real talk, our city is the birthplace to many famous and non-famous musical geniuses. However, Chicago artists don’t have that type of camaraderie that other cities have. When we learn how to appreciate each other, then we will be appreciated.

StephStaa: I totally agree with WiZdom…word up!

You’ve been getting some nice pub thrown your way, URB Next 1000 for example. What’s the contrast been like when you step outside of Chicago?
WiZdom: It’s funny that you ask this question because our experiences outside of Chicago have been nothing but a birthing. We can go to cities where the audiences are singing our songs verbatim. Folks are like, “where y’all been?!?” That’s real and refreshing!

StephStaa: That pub has been a true blessing, it’s all about grinding continuously and networking! You can’t get anywhere in life if you don’t do something you never done before! For radio and publication to notice us is such a relief, it means our hard work is not in vain. We have done the regional/national tour thing out of our own pockets, sleeping on a friends couch/floor and in motels. Then to show up at a venue to perform and folks appreciate and love us, it’s so rewarding!

Your music has a strong sense of female empowerment. What’s your reaction to the negative portrayal of women in hip-hop today?
WiZdom: Any type of negative portrayal of women is detrimental to young ladies. Females that allow individuals to degrade them are just as responsible to the negative images in music. We have to be accountable for ourselves.

StephStaa: My reaction is that we still have a lot of work to do as women, those in the music business and those who are on the verge to enter it. If we lead instead of follow that issue will be abolished. That’s why it’s so important that Spq-Her take over the music industry, we’re more than the melodies we convey!

You seem to be taking it a bit easy as far as touring goes, is this in preparation for a new project?
WiZdom: The new project is like the Bruce Leroy Green and Sho’nuff fight. Like this fight, we have discovered our strength. We have received some good feedback about the essence of Spq-Her and we are discovering some new things about our voice, our style and our sound. Also, our experience with Ms. Lyndia Johnson taught us so much about our vocal instrument and we want to be intentional about using our voice properly so the sound is timeless.

StephStaa: Next time we tour it will be on an international level! We’ve been writing and conceptualizing our second LP, scouting indie/major labels and connecting with DJs all over the globe! So yes, expect the unexpected from Spq-Her.

What else can we expect from Spq-Her?
WiZdom: Spq-Her has their hands in everything: music, fashion, education, politics. We are currently planning to invade the overseas market and deliver our music to those that have been waiting patiently. We will continue to tour throughout the summer and make some radio appearances. Right now, we are working on finishing our sophomore album.

StephStaa: ALL POSITIVE THANGZ! ALL SUCCESSFUL THANGZ! Continue to connect with us on: MySpace, Facebook, Twitter and SonicBids.

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Best Beats 4/27/09

April 28th, 2009
Peanut Butter WolfPeanut Butter Wolf presides over a special Stones Throw party at Abbey Pub.

Stussy X Stones Throw Tour
Thursday, April 30 at Abbey Pub; $16 in advance, $18 at the door
Stussy sponsors the latest Stones Throw tour, which features Peanut Butter Wolf, James Pants, Dam-Funk and Mayer Hawthorne. Chicago hip-hop fans have been lucky enough to have the Stones Throw crew come to town pretty regularly as part of the Sonotheque Move events, but this tour is quite different and it’s 18-plus. Peanut Butter Wolf is doing live video and DJ mixing; James Pants is playing a live set with his band, the Royal Zodiac, and Mayer Hawthorne and Dam-Funk will be playing eclectic records. To top it off, Stussy created limited-edition t-shirts and Stones Throw is coming out with music only sold on the tour. Visit Stussy.com to download an exclusive tour mix.

Red Kiva 2-Year Anniversary Party
Thursday, April 30 at Red Kiva, 6 p.m.; $10 cover benefits T-PAN
With its yummy flatbread pizzas, hip West Loop locale and unique sunken-pit design (it formerly housed drum circles), we’re not surprised Red Kiva has made it to its second birthday. The party gets started early at 6 p.m. with complimentary appetizers and a slew of drink specials, including $5 Absolut cocktails and giveaways. Music is provided by resident DJs Uncle El and Pickel, of the new Tronic weekly party, along with live performances by Radius and Kenny Keys and live art by CZR PRZ. Better yet, tonight?s anniversary party benefits T-PAN, the Test Positive Aware Network, which works for HIV awareness and advocacy.

Dark Wave Disco

Dark Wave Disco 4-Year Anniversary Party
Friday, May 1 at Sonotheque, 9 p.m.; $10, free before 11 p.m. with RSVP to rsvp@emptybottle.com
The Dark Wave Disco crew celebrates four years of bringing dance, rock and dirty electro to the coolest clubs in the city. Tonight, host Paul in Chicago and the DWD DJs (Trancid, Mark Gertz and Greg Corner) will be joined by special guests Trash Yourself, a “girl and a boy here to destroy” you with nu-rave beats.

Dialogue, Inc
Saturday, May 2 at The Burlington, 9 p.m.; Free
Joshua Ferguson, the Chicago writer for dance and culture blog, Dialogue, Inc., curates a night of dance music at the Burlington. We’re not sure what he’ll be pulling out of his hat, but as he was recently appointed Nightlife editor of Time Out Chicago, he probably knows a thing or two about what gets crowds moving.

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